The indication 3(+2) signifies that the 3rd finger (the ring) is supported one fret lower by the 2nd (middle) finger. In all the examples presented in this lesson, you’ll notice the inclusion of fret-hand fingerings below the tablature staff. (This interval is also known as a minor 3rd.) (half step = one fret whole step = two frets.) One-and-One-Half-Step BendsĪ one-and-one-half-step bend is indicated by the fraction 1 1/2 and involves bending the pitch of a note even higher, so that it matches that of an unbent note located exactly three frets higher on the same string. Whole-Step BendsĪ whole-step bend, similarly indicated by the number 1 appearing over the arrowhead in the tab, involves bending the string further, to raise the pitch of the fretted note to match that of an unbent note located two frets higher on the same string. Half-Step BendsĪ half-step bend is performed by either pushing or pulling a string sideways (up or down) to raise the pitch of a note the equivalent of one fret, meaning to the same pitch as the regular, unbent note located one fret higher on the same string, which you can use as a reference tone for your “target” pitch.Ī half-step bend is signified by the fraction 1/2 appearing directly above a curved bend arrow in the tablature. If string bending isn’t yet one of your strong suits, be patient with it and take your time working through this material.īefore we get into the examples, here’s a brief primer on the three most common types of string bends and how they’re notated. Some of the approaches presented herein entail rather demanding bending techniques, which are hallmarks of Timmons’ lead playing style and can be challenging to perform. While many of his bending ideas are inspired by those closely associated with the celebrated soloing styles of legends like Jimi Hendrix, Jeff Beck, Stevie Ray Vaughan and Steve Lukather (to name a few), Timmons places his signature stamp and stylized fingerprint on everything he plays. While plenty of worthwhile things can be learned from a guitarist as accomplished as Timmons, one especially laudable area of his playing is his refined string-bending technique, which is the focus of this lesson.Īs you’ll discover, Timmons employs a variety of interesting bending approaches that are uniquely expressive, soulful and highly appealing.
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